Bluest Eye Discussion Questions - Volume 2

WARNING: Possible spoilers ahead!

5. At a certain point in the novel, Morrison, through her narrator, states that romantic love and physical beauty are "probably the most destructive ideas in the history of human thought." How do the lives of individual characters bear out that statement? Where do the characters first encounter ideas of romantic love and beauty—ideas which will eventually torture and exclude them? What positive visions of beauty and love does the novel offer?

6. The novel is set in a Midwestern industrial town, Lorain, Ohio, Morrison's own birthplace. Pauline and Cholly Breedlove are transplanted Southerners and several key scenes in the novel are set in the South. How does Morrison set up comparisons between a Northern black community and the Southern black way of life? What values have been lost in the migration north?

7. Consider Morrison's characterization of Cholly Breedlove. While she clearly condemns his actions, she resists dehumanizing him. If rape of one's daughter is an "unimaginable" crime, can one at least trace the events (and resulting emotions) that made it possible for Cholly to commit this brutal act? Is there a connection between the white hunters' "rape" of Cholly and the sexual aggression he eventually turned on his daughter?

Bluest Eye Questions - First batch!

1. The novel opens with an excerpt from an old-fashioned reading primer. The lines begin to blur and run together—as they do at the beginning of select chapters. What social commentary is implicit in Morrison's superimposing these bland banalities describing a white family and its activities upon the tragic story of the destruction of a young black girl?

2. How does Morrison's powerful language—both highly specific and lyrical—comment on the inadequacy of "correct" English and the way in which it masks entire worlds of beauty and pain?

3. "Quiet as it's kept, there were no marigolds in the fall of 1941. We thought, at the time, that it was because Pecola was having her father's baby that the marigolds did not grow."

With these lines Morrison's child narrator, Claudia MacTeer, invites the reader into a troubling community secret: the incestuous rape of her 11-year-old friend Pecola Breedlove. What are the advantages of telling Pecola's story from a child's point of view?

4. In what ways does Morrison show how Pecola's environment—and American society as a whole—are hostile to her very existence?